Chicago Portrait Project
August 23, 2021 - October 5, 2021
University of St. Francis Art Gallery
25 E. Van Buren Street
Joliet, Illinois, 60432
Odessa Villarreal, Chester, and Austin Hines
Chicago Sonic Painting (Little Village Riverwalk), 2021-23
Chicago Portrait Project, installation view, 2021
Chicago Sonic Painting (The Uptown), 2021-23
Chicago Portrait Project, installation view, 2021
Chicago Sonic Painting (Mayor Daley), 2021-23
Couteau Sang, artist and musician, 2017
Chicago Sonic Painting (Chicago River Yacht Club), 2021-23
Chicago Portrait Project, installation view, 2021
Chicago Sonic Painting (Green Mill), 2021-23
Chris Ware, cartoonist, 2013
Chicago Sonic Painting (Dum Dum Girls), 2021-23
Chicago Portrait Project, installation view, 2021
Chicago Sonic Painting (Emily Elhaj), 2021-23
Chicago Portrait Project exhibition poster, 2021
Chicago Sonic Painting (Afterhours), 2021-23
Steve Krakow, musician and writer, 2016
Chicago Sonic Painting (Aragon), 2021-23
Max King Cap, artist, 2003
Chicago Sonic Painting (Empty Bottle), 2021-23
HOGG, musicians, 2017
Chicago Sonic Painting (Lincoln Park Outreach), 2021-23
Chicago Drug Bags (in-progress), 2016-2021
Chicago Sonic Painting (Famous Laughs), 2021-23
Ji Su Kwak, artist, 2019
Chicago Sonic Painting (Wishgift), 2021-23
Vicinity of Peoria and Randolph, 2014
Chicago Sonic Painting (Gula Gila), 2021-23
Vicinity of Damen and North, 2012
Chicago Sonic Painting (Earl Sweatshirt), 2021-23
Karl Wirsum, artist, 2016
Chicago Sonic Painting (Lane Milburn's Guitar), 2021-23
Chicago Portrait Project, installation view, 2021
Chicago Sonic Painting (The Riviera), 2021-23
Vicinity of Dearborn and Congress Expressway, 2015
Chicago Sonic Painting (Travis of Ono), 2021-23
Victoria Martinez, fiber artist, 2017
Chicago Sonic Painting (Ben Baker Billington's Instruments), 2021-23
Chicago Portrait Project, installation view, 2021
Chicago Sonic Painting (The Hecks), 2021-23
Most will agree that there’s something rather curious when reflecting on what one is regularly drawn to over time. Now, at middle age I see there are cyclic encounters and interests throughout my experience. There’s been those noise band sets in dank basements and abandoned warehouses, artist studio visits in obscure (off the beaten path) places, random meetings in meadows filled with 100,000+ people, and a flurry of undefinable, yet memorable, moments that prompt pause. This, in part, has been how I have engaged Chicago. Yes, my experience can be defined as cursory, random, even circuitous. Yes, there are strands of tension found in this exhibition delivery. I see the city as a complex character, full of hope and despair, anger and celebration, ebbing and flowing while leading me through its’ grid-like maze, without regard.
Materials included in the Chicago Portrait Project date back to my arrival in 1993. Shortly after landing in the city I found myself living in a warehouse set along the south branch of the Chicago River near Chinatown. The building was filled with an array of artists, musicians, small businesses, and transients. I met my wife, Sandy, there at a show of bands from Michigan I struggle to recall. That moment in time was most chaotic at the highest level. This was my entry into documenting and engaging Chicago. Here one encounters drag queens in Union Park, anonymous passengers on the CTA, street notes that present colorful commentary about our country’s leadership, artifacts I see impacting the city and my experience, and a range of characters who have invited me into their practices spaces, studios, and homes.